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Indian
contemporary Art in
the break of 21st century is as varied as it had never been before.
From the elitist business houses and royal families, it has now
entered the drawing rooms of the middle-class buyers and from
domestic market it is now traveling offshore to fetch immense; often
astronomical prices.
To categorize Indian Fine Art, we can have many criteria. One
criterion which is often used by the Art Schools is the criterion of
the medium. In this criterion the artists are classified as Oil
painters, Acrylic painters, water colorists, terracotta sculptors,
installations artists, etc. But this is not a very good criterion as
many artists in the 21st century do not use any single medium but
experiment with many media simultaneously. Again the very
distinction between paintings, assemblages, installations, collages
and sculptures is getting blurred with each passing day.
Another way of classifying Indian Art is categorize the art works in
terms of the region of the artist’s origin. This is a very popular
criterion and schools have been named after important centres of Art
like
Santiniketan,
Baroda,
Calcutta,
Bombay, Pune,
Delhi,
Chandigarh, Chennai
and Trivandrum. However many artists move from
one place to another and do not attach themselves with any
particular
school of art.
A more difficult approach is to understand Artists and their Art in
terms of the inspirations they draw from. Art in India had always
been an integral part of Indian life and excavations of Art objects
from historical places have shown that Indian art had reached very
high degrees of sophistication at various times in
Indian History.
Many of the artists in 21st century India use these historical
styles in their art. Similarly there are artists who draw their
inspiration from the rich
Folk traditions of India.
India had always been closely connected with other countries.
Influence of these various cultures can be seen in the art of
various times. Even today the trend continues as Indian artists
remain connected to the trends outside and openly adapt to the
emerging
European
and
Oriental styles.
Again while contemporary artists in India take inspiration from
various sources and styles, Indian Art still retains its distinct
Indianness. Newer styles never seen before are also emerging in the
Indian scene; forms and styles which actually cannot be categorized
into any specific existing genre. |
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Abstraction,
Realism,
Surrealism,
Impressionism,
Cubism,
Fauvism,
Pseudo-realism,
Magic realism,
Erotic art,
Folk
Art,
Tribal Art,
Miniature Art,
Centres of Art,
Calcutta,
Delhi, Bombay,
Vadodara,
Santiniketan,
Pablo Picasso,
Georges Braque,
Max Ernst,
Salvador Dali,
Edouard Manet,
Claude Monet
Vincent van Gogh,
Paul Gauguin,
Henry Matisse,
Alex Colville,
Paul Cadmus, George Bellows,
Ababnindranath
Tagore, Gaganendranath
Tagore, Rabindranath
Tagore, Nandalal Bose, Raja Ravi Verma, Hemen Majumdar, Amrita Shergill, Jamini Roy, Baburao Painter, Ramkinkar Baij, Zainul Abedin,
Benode Bihari
Mukherjee, K G
Subbhramaniyan, Krishna Hebbar, Francis Newton
Souza, Maqbool Fida
Hussain, Tyeb Mehta, Saiyyad Haider
Raza, Jehangir
Sabbavala, Ganesh Pyne, KC Pyne, Satish Gujral, Anjolie Ela
Menon, Bikash
Bhattacharya, Sunil Das, Jatin Das, Shyamal
Duttaroy, Jogen Choudhuri, Arpana Caur, Yusuf Arakkal, Vivan Sundaram, Bose
Kishnamachari, Devajyoti Ray, Atul Dodiya, Jitish Kallat,
Laxma Goud, Anupam Sud, Shibu Natesan, Shakila,
Warli Art,
Banni Art,
Santhal Art,
Bhill Art,
Batik Art,
Madhubani Painting,
Kashmir Papier Machete,
Kalighat Pat,
Orissa Patachitra,
History of Indian Art,
Contemporary Indian Art,
21stcentury Indian Art,
Indus Valley Art,
Indus Valley Teracotta,
Maurya Art,
Gupta Art,
Ajanta Frescoes, Ellora Frescoes,
Mahabalipuram Sculptures,
Pala Miniature,
Temple Art,
Mughal Murals,
Mughal Miniature,
Tanjore Art,
Mysore Art,
Sikh Art,
Maratha Art,
Rajasthani Art,
Company School of Art,
Bengal School Art,
Progressive Artists Group
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